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Auch auf der Tonebene gibt es dieses Gezerre zwischen Raumillusion und abstrakter, musikalischer Lesart.

The film consists of 8 sequences composed of 12 still photos each. Each photo stands for 5 seconds. The photos show landscapes made of wrapping paper, sparklers and kitty litter — materials, which refuse to create flawlessly functioning illusions of space but stay recognizably artificial: Simultaneously trash and sign.

As in the picture, the sound of the film shifts between the illusion of space and an abstract, musical reading. Lee Lynch: A wonderful young man who likes to shoot a bow and arrow, play with his small dog and make things from beads.

Heinz Emigholz and at the California Institute of the Arts in Valencia, Los Angeles MFA, She received a DAAD and an Eastman Kodak stipend among other stipends and awards.

Her work, including films, video installations, photography and performance, has been exhibited worldwide. She currently teaches experimental film at the UDK, Berlin.

Tobias Anderson Habitat spielt in einer Form von Parallelhandlung auf zwei Inseln in zwei Kulturkreisen, die zwei komplementäre Teilhabitate bilden.

Diese so unterschiedlichen Orte werden durch reale und imaginäre Reisen des filmischen Protagonisten miteinander verknüpft, ein Roadmovie mit einem modernen Martin Mc Fly, der nicht Zurück in die Zukunft, sondern zurück in eine surreale Gegenwart fliegt.

Two islands on two continents in two cultural spheres from two complementary partial habitats. These very different locations are linked by real and imaginary journeys by the film protagonists, a roadmovie with modern Martin Mc Fly, who is not flying back in the future but flying back into a surreal present.

Diese Worte sind alle wahr. Diese Worte sind alle bekannt. Daher weht der Wind. Das ist die Realität, in der wir leben. Alle Worte sind bereits gesprochen worden.

Alle Dinge sind bereits gesagt worden. Nichts ist originell. Nichts ist neu. These words are all true. These words are all used.

This is the way the wind is blowing. This is the wind of the reality in which we live. All words are already spoken. All things are already said.

Nothing is original. Nothing is new. Awards: 1. Tobias Anderson: Videoartist focusing mainly on animation. Has been screened at numerous occasions, in exhibitions and festivals worldwide.

Indem er ein Foto von ihr zu einer glücklicheren Zeit benutzt, rekonstruiert er einen Ort, der eine Lösung zu liefern scheint. Zunächst hat der Film eine konventionelle Geschichte; eine Stimme aus dem Off begleitet die Bilder, die von einer sich ständig nach links bewegenden Kamera aufgenommen wurden.

Die Kamera geht mühelos durch Wände und Türen, durch Räume und Orte, in einem kontinuierlichen Rückblick, wie alles laut dem Mann passiert ist. Aber am Ende werden wir mit der Frage zurückgelassen, was an welchem Ort tatsächlich geschah, oder was die reine Selbsttäuschung eines Mannes war, der verzweifelt nach einem Weg aus seiner Misere gesucht hat.

In Re-constructions, a man tries to find a way out of his sorrow after his girlfriend has left him. By using a photograph of her on a happier moment, he reconstructs a place that seems to provide a solution.

Initially the film has a conventional narrative; a voice-over accompanies the images taken by a camera moving constantly to the left. The camera passes effortlessly through walls and doors, through spaces and locations, in a continuous flashback of how things happened according to the man.

But in the end we are left with the question of what really took place on which location, or what was a mere delusion of a man in dispair looking for a way out of his misery.

Guest lecturer at the Kunstakademie Minerva, Groningen and at the HKA, Arnheim from His work was nominated for several awards and acquired by various private and company collections.

Unter Anleitung der Choreographin Paula E. Paul und des Medienkünstlers Sirko Knüpfer sprechen die sehr betagten Hände zweier Damen und eines Herren.

Das schon kräftige aber noch unrunde Schlagzeugspiel eines Heranwachsenden begleitet das Miteinander der Alten am Tisch. We never stop playing with words, things and notions of order, even during coffee afternoons.

Under the direction of the choreographer Paula E. Paul and the media artist Sirko Knüpfer, the aged hands of two women and a man talk. The vigorous but irregular drumming of an adolescent accompanies the interaction of the elderly people at the table.

Ein Haus wird besichtigt, vom Dachboden bis zum Keller. Das ganze Reservoir einer kleinbürgerlichen Provinzidylle, in eisiger Menschenleere abgebildet und ausgeleuchtet.

Larchers Videoanimation, aus Fotos und Laufbild zu einem scheinbar unendlichen Panoramaschwenk montiert und mit einer unbehaglich dröhnenden Tonspur unterlegt, fördert das Unheimliche im Alltäglichen zutage.

Miessgang A house is being viewed from the attic to the cellar. The entire reservoir of a petit bourgeois provincial idyll, illustrated and illuminated in a frosty atmosphere, devoid of people.

Since collaboration with Henry VIII's Wives www. In collaboration with Paula E. Studies at the academy for applied arts sculpturing and multimedia with Prof.

Erwin Wurm and multidiscipinary arts with Prof. Berhard Leitner. Since numerous group-exhibitions in Austria and abroad. Genau das, an dem wir unter allen Umständen festhalten wollen, entflieht uns mit unbarmherziger Gewissheit.

Wie Wind und Rauch. A sigh, a flurry Exactly what we want to hold on to escapes us, with relentless certainty. Like wind and smoke. Jeder hat verschiedene Bezüge in sich.

Allerdings scheinen keine Verbindungen zwischen ihnen vorhanden zu sein, und doch beeinflussen und überkreuzen sich sich.

Diese Arbeit verbindet einen Blickpunkt und eine Geschichte, wobei jeder dieser Verknüpfungspunkte einen anderen Orts- und einen anderen Zeit-Ursprung hat.

Ich liebe Geschichten, die sich daraus ergeben. Oneself has various matters. However, there seem to be no relations, and they affect it and intersect.

This work connects a viewpoint and a story, resulting from different origin in place and time. I appreciate stories which are born from this constellation.

Ihr viktorianischer Rock, vom Wind aufgebläht, wurde zu einem Fallschirm. Eine Geschichte, erzählt durch die Gegenüberstellung von drei detaillierten Zeitungsartikeln mit leidenschaftslos eingesetzten Bildern.

Sarah Ann Henley miraculously survived the feet drop after jumping off the Clifton Suspension Bridge in Her Victorian skirt, inflated by the wind, acted as a parachute.

A tale told by contrasting three detailed newspaper articles with a sober use of image. Barbara Meter: Experimental films, narratives and documentaries since the seventies.

Curator of experimental films, lecturer. Films have been shown all over Europe and the States. Lives and works in Amsterdam. Graduated in Video studies from Kyoto College of Art.

I began the production of video work in I participated in numerous Japanese and European short film and Media Art Festivals.

Zwier worked for several initiatives for visual art in the public space and works as a filmmaker and visual artist.

Ihre Ergebenheit dem kränkelnden Komponisten gegenüber weckte den Zorn von Puccinis Frau Elvira, die das Mädchen aus dem Haushalt warf und sie auch danach noch weiter verfolgte.

Letztendlich zerbrach Doria an der Belastung der Verfolgung und nahm deshalb das Gift, an dem sie dann starb. Kurz darauf wird eine Autopsie ihres Körpers vorgenommen Doria Manfredi was a year-old girl who came to work for the Puccini family as a servant.

Eventually Doria cracked under the strain of persecution and swallowed poison from which she died. Shortly afterwards, the autopsy of her body would be undertaken Eine Dystopie zerstörter Bilder.

Schwarz in Grau in Schwarz flimmert verhalten über dem Bildschirm. Eine physikalische Kraft entwickelt sich aus den undeutlichen Bewegungen der Konturen und Schatten.

Und daneben gibt es ein verdutztes Fabelmädchen, das versucht, seine Beziehung zur Welt als eine Silhouette neu aufzubauen. A dystopia of smashed images.

Black in grey in black flickers gently over the screen. A physical force emerges of the unarticulated movements of contours and shadows.

And besides that, there's a slack-jawed, fable girl trying to reconstruct her relationship to the world as a silhouette.

Brady Corbet is a 20 year-old actor and filmmaker currently living and working in New York City. He also participated in a video project for the Lucca Film Festival directing a film in honor of Puccini.

Gefundene Erinnerungen, lädiert und verfallen durch Schockmuster eines Kindheitstraumas. Found memories decayed by the shock patterns of childhood trauma.

He also works as a writer, as a video-maker, as well as a stage designer. Atallah is a film-maker and photographer. Landscapes and symbols are mixed up, raising questions of identity and internal memories A Stairrail lives the jacobs ladder.

Die Idee taucht auf, die Frage wird gestellt, Rationalität geht verloren und Markierungen verschwimmen. Die Spannung steigt, Gruppen diskutieren, Räume verbinden sich und Zeit vergeht.

The idea emerges, the question is asked, rationality drops, and markings get blurry. Tension raises, the parties are debating, spaces combine and time passes.

Für Puccini Conservato wurde eine CD mit Tonaufnahmen aus La Boheme verwendet. Die Quelle des Tons die Lautsprecher wird in einem durchgehenden per Hand geführten Schwenk abgetastet wobei die Musik die Bewegung vorgibt.

Dazwischen geschnitten Bilder von Blumen und eines Kaminfeuers, die beispielhaft auf die Lyrik Puccinis verweisen.

Als Aufzeichnung einer Aufzeichnung proklamiert die Arbeit die Künstlichkeit des Tons. Schönheit und Menschlichkeit der Musik scheinen jedoch ebenfalls durch.

I shot the source of the sound loudspeakers and a play-back deck in continuous hand-held pans, guided by the music. By being a recording of a recording the work proclaims the artificiality of the sound it is not being sung or played on a musical instrument.

However the beauty and humanity of the music comes through too. Diverse national and international exhibtions a. He also worked as a visual effects coordinator at Mokko Studio in Montreal.

He is also internationally recognized as an artist and avant-garde musician. Sonntag Das Nachbild ist eine Illusion. Illusion vermischt sich mit Realität.

Wenn sie wachsen wird Schönheit geboren. The afterimage is an illusion. Illusion mixes with a reality. When they increase, beauty is born.

Der Heldenbariton Hans Hotter macht eine Einspielung von Schuberts Winterreise in Berlin. Zur selben Zeit zieht sich der Kessel um Stalingrad zu.

Dabei nimmt mich eine kleine Sony-DV-Kamera im Nightshot-Modus mit Autofokus im Hochformat auf. In , the heroic baritone Hans Hotter made a recording of Schubert's Winterreise in Berlin.

At the same time, the Germans were closing in on Stalingrad. Snow flurry. I am standing inside my installation, have paused the video and, alone, perform the memory of my digital installation against the empty, white screen.

While doing so, a small Sony-DV camera films in night shot mode on autofocus in portrait format. Unser breites Sortiment aus über namhaften Marken sowie exzellente Kundenberatung prägen den Stil unserer Häuser und sorgen für einzigartige Shopping E….

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Jesse J. Grindey, 30, Hazel Green, Wis. Daquane D. Rivers, 21, Marianna, Fla. Henrietta Congressional clash of the titans: Brooks vs. Slaughter The congressional race between Republican County Executive Maggie Brooks and incumbent Democratic Representative Louise Slaughter will be hard-fought and expensive.

Brooks announced her run on Monday to an overflow crowd at Monroe County Republican headquarters. At times, her speech sounded a lot like the talking points from her campaign for county executive: she talked about collaboration and keeping taxes down.

In doing so, Brooks offered clues to her congressional platform. Also within an hour of the announcement, the Democratic.

Congressional Campaign Committee sent out an e-mail jabbing at Brooks. Campaign tit for tat aside, the race pits two seasoned politicians against each other.

Brooks and Slaughter have name recognition and both typically win their races by substantial margins. Democrats have the majority enrollment, but not by much.

Those factors should add up to an intense contest. Democrats are eager to regain control of the House, while Republicans want to increase their majority.

Currently, there are Republicans, Democrats, and two vacancies in the House. The competitive new district and the caliber of the candidates will make the race attractive to both parties.

That could translate to money from the national parties. Throughout the day a few people talked up Brooks, including Maggie Brooks and Louise Slaughter.

FILE PHOTOS former Governor primary looms, depending on whether all George Pataki, who told three stay in the race.

The convention was not focused on House Senate primary. Republican voters would tune into the elections earlier and may get more races, however.

State Republicans were in excited about the races, which may mean Rochester to pick a challenger for incumbent higher turnout.

But candidates might bloody each other up before they ended up with three names instead. Democrats even get their turn.

A primary Conservative attorney Wendy Long, would also eat up money that could go toward Nassau County Comptroller George Maragos, general-election campaigns.

Now a three-way. Littlejohn is a lawyer and has represented Chinese refugees seeking political asylum in the US. She has also testified before Congress and briefed the White House on sex-selective pregnancy terminations in China.

China implemented the one-child policy in , convinced that strict population control would lead to economic reform and improvement in living standards, says the New England Journal.

The state sets the policy and the population targets, the Journal says, while implementation and enforcement are up to local authorities.

Littlejohn says these local officials have been known to grab women off the street to forcibly sterilize them or to abort their babies, even at full term.

And they sometimes detain family members until a woman allows herself to be sterilized or to have an abortion, she says.

Reggie Littlejohn will be at the Little Theatre at p. She will also be appearing in subsequent days on local college campuses and at a private luncheon at the Susan B.

Anthony House. Her Little appearance is free and open to the public. The remnants of show posters and handbills still cling to the brick walls of the old Pratt Opera House in downtown Albion, decades after the venue saw its last performance.

The 19th century Opera House is owned by married couple Michael Bonafede and Judy Koehler. The couple is well-known in the community: Bonafede was president of the Albion school board for 13 years, and Koehler was Town of Albion supervisor for four years.

They also want to start a nonprofit to take over the restoration work and, later, the operations. For now, Bonafede and Koehler are in the thick of restoration.

That grant will also fund a vaudeville-style show during the Olde Orleans Canal Festival on September 8. If the restoration project is successful, it could be a boon for the village and its neighboring communities.

The Pratt Opera House is located inside. The theater takes up a full floor, and there are other spaces that have traditionally housed stores and offices.

The man responsible for the Pratt Building was John Pratt, an Albion farmer and businessman. He included the theater — it was completed around , expanded in , and ceased operating as a theater in — because he wanted to bring culture to his community.

Upper-floor opera houses were once prevalent in rural villages, says Cynthia Howk, architectural research coordinator at the Landmark Society of Western New York.

The acts would travel a circuit from village to village, since most of the communities were along rail lines. Many of the buildings are made of materials that were, at the time, expensive and cutting edge.

The facade of the Pratt Building is made out of dyed precast concrete. Today, most people would probably consider precast concrete a plain, inexpensive building option.

Standing outside of the building, Bonafede explains how the facade windows also would have projected success and status.

Back then, large windows were often made using multiple smaller panes of glass — it was a cheaper option.

But the facade windows on the Pratt Building are large, single panes of glass. On a broader scale, the restoration project is. Across the state, several opera house theaters have been successfully restored.

The Smith Opera House in Geneva, though larger and self-contained, attracts national acts and regional audiences. The Fredonia Opera. The restored Lancaster Opera House in suburban Buffalo serves a similar purpose.

These theaters are providing entertainment and culture in their communities and also attracting people downtown. The village has suffered from some of the same problems as its larger counterparts, like Rochester.

In , 6, people lived in the village, compared to 7, in And Albion has its own version of sprawl. Tops built a grocery store just outside of downtown about a decade ago.

And more recently, Wal-Mart built a supercenter just west of the village. These types of development draw people away from downtowns, which have historically been the center of commerce.

That has real implications for the health of a community. When shows passed through town, stagehands would paste posters and handbills to the wall.

The doors at the bottom of the stairs were found in storage and restored. This space, in the neighboring building, used to be a tin shop. The owners may convert it into a loft or studio.

Before it was restored, this brass knob was coated in layers of paint. The building next to the Pratt Opera House contains a Grand Army of the Republic meeting room and many of its important features are intact.

When Bonafede and Koehler bought the Pratt Building, they also bought the building next door, since both properties had long ago been combined into a single parcel.

Bonafede and Koehler plan to rehab that building as well, maybe adding a loft apartment. That building has historical assets of its own.

Inside, an old Grand Army of the Republic meeting room remains undisturbed, though it has clearly suffered from wear and neglect over time.

The Grand Army of the Republic was a fraternal organization for Civil War veterans on the Union side. The one in his building remains probably because it is on an upper floor, he says.

The owners plan to create an intimate performance space, outfitted with audio and video equipment so performers can record there.

It would provide a more relaxed atmosphere than studios in bigger cities, say Bonafede and Koehler. Pipe organists rent the place a week at a time and mix organ practice with hikes and other recreational activities.

In neighboring Medina, the nonprofit Orleans Renaissance Group is also working. With the Medina project and with some of the notable attractions nearby, Bonafede sees potential for a tourism circuit.

The popular Michael Bonafede. Medina Train Museum already conducts rides between Medina and nearby Lockport. Medina and Albion are linked by railroad tracks, and Bonafede says he wonders if there is potential for excursions from the museum to the Opera House.

For now, however, the owners are focused on more practical matters. But someone had to start somewhere, they say, in order to preserve a piece of village history.

All are free and open to the public, unless otherwise noted. Color Brighton Green will present a discussion on Lake Ontario water quality at p.

The event will be held at the Brighton Memorial Library, Elmwood Avenue. The sessions will all. The film will be shown at Brighton Town Hall, Elmwood Avenue.

A discussion follows the film. Legal, health, and financial professionals will address the concerns of the LGBT community, but everyone is welcome to attend.

The expo will be held in the Auditorium Theater building, East Main Street. Sleeter is professor emerita at California State University Monterey Bay and has written, researched, and lectured extensively on the issues of racism and multicultural education.

The church shown in the photo accompanying a profile of the neighborhood is the Northside Church of Christ, Hudson Avenue.

Spicy Sicilian calamari left , the dining room, and chicken Anthony right at Pane Vino on Water Street. PHOTOS BY MATT DETURCK. A cut above, and below Pane Vino N.

Water St. The restaurant is lovely. Frosted glass doors open onto a gleaming dark-wood bar with a fireplace and a couple of deep, comfylooking leather chairs at the far end.

The dining room itself, with its antiqued faux-. All of it is flavorful and based on excellent technique. The calamari is tender and lightly breaded, the strips of roasted red pepper and the bright-green pepperoncini have a pretty char to them, and the asiago grated over the dish gives it welcome creamy and salty accents.

Opting for simplicity over sauce, I chose to have my chop served Milanesestyle. That is, lightly breaded, fried and served with lemon wedges to drizzle tart juice over the meat.

For once, the Cro Magnon-sized steak knife that our waitress delivered with the dish actually seemed appropriate. The meat was tender and juicy, the breading crisp without being overwhelming, the mixed greens on the side were a nice touch, almost but not quite making it seem like a diet plate.

Unfortunately, the service at Pane Vino does. The silverware was not replaced or at least removed between courses.

At a less-expensive restaurant — or perhaps one with red-checkered tablecloths — this would all seem charming. Here it was jarring. Worse, perhaps, was her almost mercenary approach to the menu.

I will often give servers the option of two entrees, both of which sound good, but one of which is unquestionably more expensive and ask for suggestions.

Savvy servers know that this is an opportunity to build trust with a customer: a bit of a downsell here can mean a much larger check later when you suggest a dessert or a particularly good wine.

Poor service stretched into lunch as well. I craved the spaghetti carbonara, but I felt a little guilty about having such a luscious carb and fat bomb without some veggies to balance things out.

It did not. Our waitress repeated my order back to me. Almost a half hour later, she emerged from the kitchen with the panini and the salad.

Throughout our first meal at Pane Vino,. CMAC, Marvin Sands Drive, Canandaigua. Kodak Hall at Eastman Theatre, 60 Gibbs St.

Friday, March 23 Harro East Ballroom, N. Chestnut St. Plymouth Ave. Eastman Chamber Jazz Tuesday, March 27 Kilbourn Hall, 26 Gibbs St.

Free esm. Young Bloods Friday, March 23 Water Street Music Hall, N. The result: well-crafted songs that go beyond filler and actually say something to the listener.

Tommy Gravino. Rio Tomatlan, 5 Beeman St, Canandaigua. LaVere — who just finished a tour with Rich Robinson of the Black Crowes — keeps her pimp hand strong as she pops and slaps and strolls the bottom end.

It was pure seduction. What a fantastic groove, what fantastic brass just tenor sax and trombone, and occasionally flute — you heard me.

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February 2, London: Discogs. Retrieved November 27, Retrieved July 20, Film Reference. Montreal Mirror. Archived from the original on February 10, Retrieved February 25, March 8, Archived from the original on July 7, September 23, Retrieved April 20, Corey Haim Is Selling His Teeth".

November 5, Archived from the original on March 13, Fox News. Archived from the original on June 29, ET Online. Archived from the original on August 19, Retrieved July 19, June 6, Retrieved March 29, How Drugs and Dark Secrets Are Ripping Apart the Coreys".

Retrieved July 16, March 15, Archived from the original on October 10, Coreyography: A Memoir. Martin's Press. August 10, Archived from the original on May 30, August 11, Archived from the original on August 6, March 18, March 16, World Stock Wire.

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Dansville GENESEO, James Toole, P. Geneseo Joseph Englert, Sr. Dansville Edward Hawley, P. Geneseo PORTAGE, Wm. Hunt Humphrey C.

Stapley, P. Geneseo Frank Holly, P. Hunt GROVELAND, E. Kinney, P. George E. Gelser, P. Mr Morris SPARTA, Frank B.

Roberts, P. James Maginley5 P. Dansville LEICESTER, L. Gurneau Starr, P. Sweet, P. Leicester ' Karl Sharpsteen, P. Fisher, P. Springwater LIMA, Edward Mason, P.

Lima Henry Pries,' P. Wayland Patrick Harrington, P. Lima Laverne McNinch, P. Springwater Fred H. Southwell, P.

LIVONIA, Geo. Gross, P. Sherman, P. Livonia E d gar Coffee, P. Dansville George H. Hemlock Melvin Wampole, P. MORRIS, Charles Swett, P. Morris YORK, John E.

Nobles, P. Linwood Manning Moyer, P. Morris W. Pavilion Amos Dalrymple, P. Morris K! Piffard Monroe and Livingston Counties 23 Livingston County Town Officers Gont.

Justices of the Peace AVON, John E. Hodgeman, P. East Avon Joseph T. Schable, P. Avon Frank E. Hovey, P. Avon Thos. Davin, P.

Avon CALEDONIA, John Mitchell, P. Caledonia D. Tennent, P. Caledonia Lee Johnson, P. Caledonia A. DeNoon, P. Caledonia CONESUS, Herman L.

May, P. Conesus Jacob Wahl, P. Conesus Fay D. Hoes, P. Conesus Scott L. McNinch, P. Conesus GENESEO, Lucius W. Warner, P.

Geneseo Charles E. Geneseo Elliott A. Horton, P. Geneseo Austin W. Erwin, P. Geneseo GROVELAND, J. Cooley, P. Buchanan, P.

Frank S. Morrison, P. LEICESTER, Bart. Brophel, P. Leicester Fred Z. Oakley, P. Cuylerville William J. Leicester Leicester Whitmore, P.

Leicester LIMA, Lewis Moses, P. Lima Joseph F. Malone, P. Lima Orrin H. Beecher, P. Lima P. O'Connell, P. Lima LIVONIA, A. Annis, P. Livonia A.

Becker, P. Lakeville O. Locke, P. Livonia E. Westbrook, P. Hemlock MT. MORRIS, Chas. Gamble, P. Morris Wm. Flynn, P. DeCamp, P. Morris John W.

DANSVILLE, F. Alverson, P. Dansville Oscar Woodruff, P. Dansville James M. Brogan, P. Dansville H. Burdick, P. Dansville NUNDA, Charles S.

Lynde, P. Dalton James H. Baker, P. Nunda Vitelius Smith, P. Nunda OSSIAN, Ralph Clendenin, P. Dansville Ira J. Knapp, P.

Dansville Arthur A. Gibson, P.

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